Adam Fuss CV
Born. 1961, London, UK - Lives and works in NYC
Solo Exhibitions
2008
Photo Spirals, Galerie Daniel Blau, Munich, Germany
Adam Fuss, Xavier Hufkens, Brussels
2006
Adam Fuss: Ark and other works, Xavier Hufkens, Brussels
Adam Fuss, Galeria Leyendecker, Tenerife, Spain
Adam Fuss, Museum of Fort Worth, Fort Worth, Texas, USA
2005
Adam Fuss, Timothy Taylor Gallery, London, UK
Adam Fuss, Fraenkel Gallery, San Francisco
Adam Fuss, Galleri Charlotte Lund, Stockholm
Adam Fuss: Mask, Baldwin Gallery, Aspen, Colorado
2003
Adam Fuss, Cheim & Read, New York, USA
Adam Fuss: Works 1985-2002, Circular Forms, Kunsthalle Bielefeld, Germany
2002
Adam Fuss: My Ghost, Xavier Hufkens, Brussels, Belgium
Adam Fuss, Foster Gallery, Museum of Fine Arts, Boston; Kunsthalle Bielefeld, Germany
Adam Fuss: Works 1985-2002, Fraenkel Gallery, San Francisco, California, USA
Adam Fuss: My Ghost, Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands
2001
Adam Fuss: My Ghost, Fraenkel Gallery, San Francisco, California, USA; Viewing Room,Yotsuya/Yumiko Chiba Associates, Shinjuku-ku, Tokyo, Japan
Adam Fuss, Galerie Karsten Greve, Cologne, Germany
Adam Fuss, Galerie Karsten Greve, Paris, France
2000
Adam Fuss, Galerie Karsten Greve, Milan, Italy
Adam Fuss, Martin Browne Gallery, Sydney, Australia
Adam Fuss: My Ghost, Galeri Charlotte Lund, Stockholm, Sweden
1999
Adam Fuss: My Ghost, Cheim & Read, New York, USA
Adam Fuss: Details of Love, Xavier Hufkens, Brussels, Belgium
Adam Fuss, FotoMuseum, Winterthur, Switzerland; Umea, Sweden
1998
Adam Fuss: Pinhole Photographs, Fay Gold Gallery, Atlanta, Georgia, USA
Adam Fuss, Glenn Horowitz Booksellers, East Hampton, New York, USA
Adam Fuss: Snake Powder, Spore & Mucus Prints, Fraenkel Gallery, San Francisco, California, USA
1997
Adam Fuss: Fotogramme, Galerie Sabine Knust, Munich, Germany
Adam Fuss: My Ghost, Galleri Charlotte Lund, Stockholm, Sweden
1996
Adam Fuss: Mary and Love Machine, Rhona Hoffman Gallery, Chicago, Illinois, USA
Adam Fuss: Pinhole Photographs, Baumgartner Galleries, Washington DC, USA
1995
Adam Fuss, Robert Miller Gallery, New York, USA
Adam Fuss, Charlotte Lund, Stockholm, Sweden
1994
Adam Fuss, Fraenkel Gallery, San Francisco, California, USA
Adam Fuss: In Between, Laura Carpenter, Santa Fe, New Mexico, USA
Adam Fuss, Galerie Ghislaine Hussenot, Paris, France
1993
Adam Fuss: Details of Love, Robert Miller Gallery, New York, USA
1992
Adam Fuss, Robert Miller Gallery, New York, USA
Adam Fuss, Akron Art Museum, Akron, Oklahoma, USA
Adam Fuss, Fraenkel Gallery, San Francisco, California, USA
Adam Fuss, Tom Solomon's Garage, Los Angeles, California, USA
Adam Fuss, National Gallery of Victoria, Melbourne, Australia
1990
Adam Fuss, Thomas Soloman's Garage, Los Angeles, California, USA
Adam Fuss, Robert Miller Gallery, New York, USA
Adam Fuss, Massimo Audiello Gallery, New York, USA
1989
Adam Fuss, Massimo Audiello Gallery, New York, USA
1988
Adam Fuss, Massimo Audiello Gallery, New York, USA
1985
Adam Fuss, Massimo Audiello Gallery, New York, USA
Group Exhibitions
2008
Black and White, Galerie Kaare Berntsen, Oslo, Norway
2007
Depth of Field: Modern Photography at the Metropolitan, Metropolitan Museum of Art, New York
Alchemy: Twelve contemporary artists exploring the essence of photography, Abbot Hall Art Gallery, Kendal, Cumbria, UK
Wallflowers, Danziger Projects, New York, USA
Picturing Eden, University of Iowa Museum of Art, Iowa, USA, and traveled to George Eastman House, Rochester, New York, USA
2006 - 2007
Nothing and Everything, Fraenkel Gallery, San Francisco, USA
2006
Camera Los. das Fotogramm, Museum der Moderne Salzberg Rupertinum, Salzberg, Austria
Immaterial World, Stephen Cohen Gallery, New York, USA
2005
Richard Levy Gallery, Albuquerque, New Mexico, USA
In the Middle of the Night, 150 Neuewerbungen seit 1996, Kunsthalle Bielefeld, Germany
Atelier David Adamson, Maison Européene de la Photographie, Paris, France
2004
12 from Cheim & Read, Fay Gold Gallery, Atlanta, Georgia, USA
2003
Air, James Cohan Gallery, New York, USA
In Your Face, Alan Koppel Gallery, Chicago, Illinois, USA
2002
The Antiquarian Avant-garde, Sarah Morthland Gallery, New York, USA
Fiat Lux, Robert Klein Gallery, Boston, Massachusetts, USA
Visions of America: Photographs from the Whitney Museum of American Art 1940-2001, Whitney Museum of American Art, New York, USA
Art Downtown: New York Painting and Sculpture, Wall Street Rising, New York, USA
Childhood: Collection of the National Fund of Modern Art, Paris, Multimedia Art Center, Moscow, Russia
2001
Adam Fuss: My Ghost, Fraenkel Gallery, San Francisco, California, USA; Viewing Room,
Affecting Invention: The Manipulated Photograph, Carrie Secrist Gallery, Chicago, Illinois, USA
White Light, University Galleries, Illinois State University, Normal, Illinois; 1926 Exhibition Space, School of Art Institute, Chicago, Illinois, USA
The Crafted Image: Nineteenth-Century Techniques in Contemporary Photography, Boston University Art Gallery, Boston, Massachusetts, USA
SchattenRisse-Silhouetten and Cutouts, Staedtische Galerie im Lenbachhaus, Munich, Germany
Uncommon Threads. Contemporary Artists and Clothing, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA
Re-Thought and Re-Seen: 21st Century Photographers Using 19th Century Processes, curated by Elizabeth Kirsch, University of Missouri, KC, Missouri, USA
Some Options in Abstraction, curated by Klaus Kertess, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts, USA
Mirror with a Memory: The American Daguerrotype, curated by Keith Davis, Atkins Museum of Art, Kansas City, Missouri, USA
Ten Photographers, Galleri K, Oslo, Norway
2000 - 2001
Beyond Borders, Coninx Museum, Zurich, Switzerland
Chorus of Light: Photographs from the Collection of Sir Elton John, High Museum of Art, USA
Abstrakte Fotografie, Kunsthalle Bielefeld, Germany
Innoculated Time, Magnetoscopio P.V. Com Ltda / Casa de Cultura Solar dos Oitis, Rio de Janeiro, Brazil
1999 - 2001
This is not a Photograph, Pace University Gallery, New York; University Art Gallery, University of California at San Diego; Bayly Art Museum, University of Virginia, Charlottesville, Virginia; George Eastman House, Rochester, New York, USA
2000
Déjà vu: Reworking the Past, Katonah Museum of Art, Katonah, New York, USA
Photography About Photography, Andrew Kreps Gallery, New York, USA
Fluid Flow, James Graham & Sons, New York, USA
Peter Hay Halpert Gallery, New York, USA
Grace, curated by Bill Hunt of Ricco/Maresca, The Center for Photography at Woodstock, New York, USA
1999 - 2000
Tomorrow Land, Alan Koppel Gallery, Chicago, Illinois, USA
I’m Not Here: Constructing Identity at the Turn of the Century, Susquehanna Art Museum, Harrisburg, Pennsylvania, USA
1999
The Big Picture: Large-Format Photography, Middlebury College, Museum of Art, Middlebury, Vermont, USA
Through the Looking Glass: Visions of Childhood, Snug Harbor Cultural Center, Staten Island, New York, USA
Evoking Myths, Evolving Dreams, Alan Koppel Gallery, Chicago, Illinois, USA
1998
Still Life: 1900-1998, Marlborough Gallery, New York, USA
In Site 98 - Mysterious Voyages: Exploring the Subject of Photography, The Contemporary Museum, Baltimore, Maryland, USA
Color, Edwynn Houk Gallery, New York, USA
Adam Fuss, Glenn Horowitz Book Seller, East Hampton, New York, USA
Artists Who Happen to be Photographers, Nina Freudenheim, Inc., Buffalo, New York, USA
1997
Lynda Benglis, Adam Fuss, David Salle & Serge Spitzer, Cheim & Read, New York, USA
The Quiet in the Land: Everday Life, Contemporary Art & the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, Maine, USA
Svenska Mässan, The Swedish Exhibition & Congress Centre, Göteburg, Sweden
1996
Prospect 96, curated by Peter Weiermair, Frankfurt, Germany
What’s Love Got To Do With It?, Randolph Street Gallery, Chicago, Illinois, USA
Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica, California, USA
Light - Time - Focus, Museum of Contemporary Photography, Columbia College Chicago, Chicago, Illinois, USA
Up North, Down South, Back East and O, USA ut West, Fay Gold Gallery, Atlanta, Georgia, USA
Into the Deep Surface, PaceWildensteinMacGill, Los Angeles, California, USA
The Quiet in the Land: Everyday Life, Contemporary Art & the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, Maine, USA
1995
Bloom, Cristinerose Gallery, New York, USA
In the Garden, Ehlers Caudill Gallery, Chicago, Illinois, USA
Content and Discontent in Today’s Photography, ICI, New York; British Museum; Greenwich, CT; Pritchard Gallery, University of Idaho, Moscow, Idaho, USA
Heaven’s Embroidered Cloths-Cameraless Photography, National Museum of Film, Photography and Television, Bradford, UK
Nature Studies: Gregory Crewdson, Adam Fuss, Hiroshi Sugimoto, Johnson County Community College, Overland Park, Kansas, USA
Flowers, 20th Century Photographs, Ltd, New York, USA
Seeing Things, Andre Emmerich, New York, USA
Fact, Fiction, and Truth: Contemporary Portraits, Lehman College Art Gallery, New York, USA
Visions, Nina Freudenheim Gallery, New York, USA
Crossing Borders: The Myst, Apex Art, New York, USA
Possibilities of Extension, Aspex Visual Arts Trust, Portsmouth, UK
Silhouettes, Paul Kasmin Gallery, New York, USA
Stockholm Smart Show, Sweden
Abstract photographs, The Baltimore Museum of Art, Maryland, USA
Tibet House Benefit Exhibition, Robert Miller Gallery, New York, USA
Human/Nature Benefit Exhibition, New Museum, New York, USA
1994
Experimental Vision: The Evolution of the Photogram Since 1919, Denver Art Museum, Denver, Colorado, USA
The Light Fantastic, Laguna Gloria Art Museum, Austin, Texas, USA
The Abstract Urge, Friends of Photography, San Francisco, California, USA
Shooting Blind, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, USA
Color, James Danziger Gallery, New York, USA
The Riddle of the Sphinx: The Ages of Man', Islip Art Museum, East Islip, New York, USA
Flora Metafisica: The Not-So-Still-Life of Plants, Guillaume Gallozzi, New York, USA
Gramercy International, Chateau Marmont, Los Angeles, California, USA
Galerie Ghislaine Hussenot, Paris, France
A Garden, Barbara Krakow Gallery, Boston, Massachusetts, USA
Nature Studies, Schmidt Contemporary Art, St. Louis, Missouri, USA
1993
Locks Gallery, Philadelphia, Pennsylvania, USA
Image First: Eight Photographers for the 90's, Laura Carpenter Gallery, Santa Fe, New Mexico, USA
Blooming: The Art of Nature, Renee Fotouhi Fine Art East, East Hampton, New York, USA
A Lure, Jan Kesner Gallery, Los Angeles, California, USA
The Language of Flowers, Paul Kasmin Gallery, New York, USA
Robert Miller Gallery, New York, USA
In Camera, Museum of Fine Arts, Museum of New Mexico, Santa Fe, New Mexico, USA
Photograms & Photographs; Photographic works by Adam Fuss & Gary Schneider, curated by Victoria Espy Burns, Thomas Blackman Associates, Chicago, Illinois, USA
Foreign Ferns: Botanical Studies from Talbot to the Present, Julie Saul Gallery, New York, USA
1992
Abstraction in the '90's, Jan Kesner Gallery, Los Angeles, California, USA
Healing, Wooster Gardens, New York; Rena Bransten Gallery, San Francisco, California, USA
Material Matter: Photography and Sculpture from the Collection, Fisher Landau Center, Long Island City, New York, USA
Skulpturen-Fragmente, The Vienna Sucession, Vienna, Austria
Adam Fuss, Pierre et Gilles, Robert Mapplethorpe, Esta Novo, Tokyo, Japan
The Language of Flowers, Paul Kasmin Gallery, New York, USA
1991
Portraits on Paper, Robert Miller Gallery, New York, USA
Photography 1980-1990, Tavelli Gallery, Aspen, Colorado, USA
The Interrupted Life, The New Museum of Contemporary Art, New York, USA
Annual International Exhibition, Santa Cruz de Tenerite, at the Casa de la Cultura and the Centro de Arte Regenta, Canary Islands
Whitney Biennial, Whitney Museum, New York, USA
Circle, Queens Museum, Flushing, New York, USA
Photography from 1980 to 1990, Ginny Williams Gallery, Denver, Colorado, USA
Contemporary Abstract Photography, Compass Rose Gallery, Chicago, Illinois, USA
Fact or Fantasy, Coup de Grace Gallery, New York, USA
1990
Javier Baldeon and Adam Fuss, Fundacio Caixa de Pensions, Barcelona, Spain
1989
Abstraction in Contemporary Photography, curated by Jimmy De Sana, Emerson Gallery, Hamilton College, Clinton, New York; Anderson Gallery, School of the Arts, Virginia Commonwealth University, Richmond, Virginia, USA (cat.)
Marta Cervera Gallery, New York, USA
Creative Camera, Dayton Art Institute, Dayton, Ohio, USA
Contemporary Photographers, University of South Florida Art Museum, Tampa, Florida, USA
International Camera, Simon Salama-Caro Gallery, London, UK
Photography: Recent Acquisitions, Australian National Gallery, Canberra, Australia
Pinhole Photography, Centre Saidye Bronfman, Montreal, Canada
Prospect Photographie, curated by Peter Weiermair, Frankfurter Kunstverein, Frankfurt, Germany (cat.)
The Photography of Invention: American Pictures of the 1980's, National Museum of American Art, Smithsonian Smithsonian Institute, Washington, D.C. , USA
Abstraction in Photography, Zabriskie Gallery, New York, USA
1988
Damon Brandt Gallery, New York, USA
Fine Arts Museum of Long Island, New York; Roanoke Museum of Fine Arts, Roanoke, Virginia, USA
1987
Adam Fuss, Mark Morrisroe, The Starn Twins, Massimo Audiello Gallery, New York, USA
1986
Stux Gallery, Boston, Massachusetts, USA
Massimo Audiello Gallery, New York, USA
1985
Alternative Museum, New York, USA (cat.)
Simon Cerigo Gallery, New York, USA
Ledel Gallery, New York, USA
Publications
2006
‘The Photogram an Artistic Position’, Art Daily.com, 23.10.2006
Fuss, Adam and Blees Luxemberg, Rut, ‘Adam Fuss: Meta-Morphosis. Constructing a trace on the tabula rasa’, NextLevel, Edition 01, Volume 05, p. 048-053
Neal, Jane, ‘London: Timothy Taylor Gallery’, Contemporary, Issue No. 81, p. 89
‘Beyond the Pale’, New York Times Style Magazine, Spring
Smee, Sebastian, 'Image fatigue', The Australian, 29 April
Fornoff, Susan, 'Review: San francisco Decorator Showcase Getting Personal', San Francisco Chronicle, 29 April
Robinson, Gaile, ‘Exhibit is worth all the Fuss’, Star-Telegram.com, 11 March
2005
Adam Fuss: A conversation between the artist and Paul Ardeen, DVD, Timothy Taylor Gallery, London
Tenerife News, December
2005 ‘Have you heard…’, Tatler, November
‘Adam Fuss’, Time Out London, Listings, 12-19 October
‘Adam Fuss’, Time Out London, Listings, 5-12 October
Dyer, Richard, ‘London News’, Contemporary, Issue 76, p. 13
Dobbs-Higginson, Julien, ‘Adam Fuss’, Kultureflash, Issue 138, 5 October
Dyer, Richard, ‘Adam Fuss interview’, Pluk, Issue 26, September/October, p.40-44
Gavin, Francesca, ‘What the Fuss is all about’, Wonderland, September/October, p. 194-195
Barber, Ed, ‘Adam Fuss Profile’, Design Week, Number 19, 29 September, p. 13
Hopkinson, Amanda, “The appliance of science”, Art Review, September, p. 57 – 58
Harris, Lucian, ‘What’s on – United Kingdom’, The Art Newspaper, No. 161, September, p.7
2004
Dyer, Richard, 'Adam Fuss', Contemporary, Issue 67, special issue on photography, p. 38-41
Kley, Elisabeth, 'Adam Fuss', Artnews, January
2003
Glueck Grace, 'Adam Fuss', New York Times, 31 October
'Prints of Darkness', Art Review, October
Nahas, Dominique, 'Mystery and Simplicity', Paris Photo
2002
'Adam Fuss', Blind Spot, Issue 22
'Adam Fuss in His Own Words', Art on Paper, September-October
Boxer, Sarah, 'The Tracks of Snakes, The Innards of Rabbits', The New York Times, 18 October
Silver, Joanne, 'MFA Exhibit Sheds Light on All the Fuss', Boston Herald, 27 September
MacLeod, Chris, 'Perils of the Past', New York Resident, 5 August
Kellein, Thomas, Adam Fuss: Photograms of Life and Death, exhibition catalogue, Verlag der Buchhandlung, Walther Konig, Cologne, Germany
2001
Ackermann, Marion, Schattenrisse, Silhuetten and Cutouts, edited by Helmut Friedel, Staedtische Galerie im Lenbachhaus, Hatje Cantz Verlag, Ostfildern, Germany
Ulmer, Sean M., Uncommon Threads. Contemporary Artists and Clothing, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Coleman, A.D., This is Not a Photograph, University of California at San Diego, La Jolla, California
Kirsch, Elizabeth, Re-Thought and Re-Seen, UMKC Gallery of Art, Kansas City, Missouri
Poli, Francesco, 'Adam Fuss', Tema Celeste, November-December, p. 91
Prose, Francine, 'A Metaphysical Fashion Shoot', ARTnews, November, pp. 126-128
Thorson, Alice, 'Re-newed Art', Kansas City Star, 30 November
Heise, Christian, 'Fuss Over Fuss', ARTnews, November, p. 106
Schonauer, David, 'Hot Shots, The Latest Collecting Boom in Contemporary Photography', Worth, July/August, pp 108-111
Panzer, Mary, 'In With the Old', American Photo, May/June, pp. 32-36
Harris, Jane, 'aura fixation: old technology for new photography', Art On Paper, January/February, pp. 64-48
2000
Kellein, Thomas and Angela Lampe, editors, Abstrakte Fotografie, Hatje Cantz Verlag, Kunsthalle Bielefeld, Ostfildern
Liu, Timothy, 'Adam Fuss', New Art Examiner, February
Aletti, Vince, 'Photography About Photography', Village Voice, 29 February
1999
Fuss, Adam, Andrew Roth and Jerry Kelly, My Ghost, Daguerreotypes from the Series, limited edition book (ed. 300), Roth Horowitz, East Hampton, New York
Kino, Carol, 'Adam Fuss at Cheim & Read', Art in America, December, p. 106
Sheets, Hilarie. 'Adam Fuss; Cheim & Read', ARTnews, Volume 98, Number 10, November
Yablonsky, Linda, 'Adam Fuss, My Ghost', Time Out New York, issue 211, 7 – 14 October, p. 86
Cross, Guy, 'Adam Fuss', THE: Santa Fe’s Monthly Magazine of the Arts, October, pp. 45-49
Klein, Lee, 'Adam Fuss', The New York Art World, October, p. 11
Pinchbeck, Daniel, 'NY Artist Q&A: Adam Fuss', The Art Newspaper, No. 95, September
Stevens, Mark, 'Adam Fuss', New York Magazine, 27 September
Naves, Mario, 'Look, Ma, No Camera', The New York Observer, 20 September
Smith, Roberta, 'Adam Fuss: My Ghost', The New York Times Art Review, 17 September
Pedersen, Victoria, 'Date Book: Adam Fuss at Cheim & Read', Art & Auction, 1-14 September, Vol. XXI, No. 21
Loke, Margaret, 'Going Back to the Daguerreotype, and Then Ahead', The New York Times, 31 August
Johnson, Ken, 'Seen and Heard: Under the Spell of Childhood and its Trappings', The New York Times, 20 August
Jana, Reena, 'Adam Fuss, Fraenkel Gallery', Flash Art, January, p.98
Kenny, Kay, 'The Final Ghost', Articlemagazine.com, Issue 2
1998
Wakefield, Neville, 'Adam Fuss: Spinning gossamer membranes between life and death', Elle Décor, August/September, pp. 56 – 60
Hart, Russell, 'no muss, no Fuss', American Photo, July/August, pp. 88 – 91
Loke, Margaret, 'Cameraless Pictures, Rippling With Color', The New York Times, Weekend Fine Arts & Leisure, Friday 31 July, p. E 11
Braff, Phyllis, 'Experiments in Color and Light: Adam Fuss', The New York Times, Long Island Edition, Sunday 26 July, p. 11
Aletti, Vince, 'Picture This: The Top 10 Photo Books of 1997', The Village Voice, 20 January, pp. 52-53 Kagan, Dick, 'Go West: In Chelsea, New York’s hottest art dealers share street with auto-body shops', Art & Antiques, January, pp. 33-37
Parry, Eugenia, Adam Fuss, Arena Editions, Santa Fe, New Mexico
Roth, Andrew & Fuss, Andrew, What is Man?, limited edition book (ed. 200), Glenn Horowitz, East Hampton, New York
1997
Aletti, Vince, 'Holiday Books', The Village Voice, 23 December, p. 69
Kaplan, Michael, 'Unique Gift: Photo Finish', Smart Money, December, pp. 213-215
Grundberg, Andy, 'Adam Fuss', The New York Times, Book Review, December
Persson, Hasse, 'Fotograf Utan Kamers', FOTO, Scandanavia, October, p. 46 – 53
Ericsson, Lars O., 'Adam Fuss', Dagens Nyheter, Stockholm, Sweden, 24 October
Svanberg, Anna-Karin, 'Adam Fuss', Upsala Nya Tidning, Stockholm, Sweden, 21 October
Camhi, Leslie, 'Seeing and Believing: The Quiet in the Land', The Village Voice, 2 September, p. 89
'Quiet Confidants', World Art, September
Larson, Kay, 'Modern artists try out vanishing lifestyle', The Globe and Mail, Visual Arts, Saturday 23 August, p. C 5
Larson, Kay, 'A Month in Shaker Country', The New York Times, Arts & Leisure, Sunday 10 August, pp. H 31 & 34
McQuaid, Cate. 'Maine’s "Quiet in the Land" plumbs art of Shaker life', The Boston Globe
Aletti, Vince, 'Adam Fuss', The Village Voice, Voice Choices Short List, 1 July, p. 4
1996
The Quiet in the Land: Everyday Life, Contemporary Art & the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, Maine
Under the Sun: Photographs by Christopher Bucklow, Susan Derges, Garry Fabian Miller, and Adam Fuss, edited by Jeffrey Fraenkel, Fraenkel Gallery, San Francisco, California
Fuss, Adam, Pinhole Photographs, Photographers at Work, Smithsonian Institution Press, Washington DC and London
1995
James, Jamie, 'Adam Fuss: Photographer Without a Camera', ARTnews, February
1994
'Future Directions', Camera & Darkroom, October, p. 39-41
Grundberg, Andy, 'Beyond Description', Independent Curators Incorporated, Fall
'After Art: Rethinking 150 Years of Photography', The Washington University Press, p. 103
Interview, Photogram represented, June, p. 14
Choon, Angela, 'Irony at Work', Art & Auction, January, p. 27
1993
Frailey, Stephen, 'Thin Air: Adam Fuss Photographs', Artforum International, November, pp. 78-81
Sand, Michael, 'Adam Fuss', Aperture, Number 133, Fall, pp. 2, 44-53
1992
Bleckner, Ross, 'Adam Fuss', Bomb Magazine, Spring, Cover, pp. 24-28
1991
'Legal Fictions', Arts Magazine, November, pp. 47-51
'Light Motifs', House & Garden, October, p. 177
'Photographs', MGM Grand Magazine, Autumn, pp. 57-61
1990
Terminal Lights, Javier Baldeon/Adam Fuss, Fundacio Caixa de Pensions, Barcelona, Spain
'Photo', The Village Voice, Tuesday 27 February, Vol. XXXV, No. 9
Grundberg, Andy, 'Abstraction Returns to Haunt Photography', The New York Times, Sunday 25 February, Section 2, p. 35
'Photography', The New Yorker, Monday 19 February, p. 19
1989
Weiermair, Peter. Prospect Photographie, Frankfurter Kunstverein, Frankfurt, Germany
Grundberg, Andy and Saltz, Jerry, Abstraction in Contemporary Photography, Emerson Gallery, Hamilton College, Clinton, New York
Milani, Joanne, 'Exhibit Sheds Light on Photography', The Tampa Tribune, 1 November, Section F Grundberg, Andy, 'Photography View: The Pendulum Swings Away from Cynicism', The New York Times, Sunday 22 October
Cotter, Holland, 'Adam Fuss at Massimo Audiello', Art in America, June
Decter, Joshua, Arts Magazine, May, p. 104
Hagen, Charles, Artforum, May, p. 154
'Infantile Reality', Switch Magazine, Spring, pp. 216-220
'New Faces 1989', American Photographer, February, pp. 25-36
1988
Bogre, Michelle, 'Pinhole Revival', Popular Photography, January, pp. 216-220
1987
Bogre, Michelle, 'A Small Window of Opportunity', American Photographer, December, p. 18
Renner, Eric, 'Adam Fuss: Interview', Pinhole Journal, Vol. III, No.3, December, pp. 28-32
Fontcuberta, Joan, 'Una Revision de los Origenes', Photo Vision, No. 15, January - March, pp. 12-16
1986
O'Brien, Glenn, 'Adam Fuss at Massimo Audiello', Artforum, March, pp. 117-8
1985
Jones, Alan, 'Adam Fuss, Past-Perfect Photography', New York Talk, December, p. 64
Ludwig, Alan I., Seeing is believing? Alternative Museum, New York
Awards
2000 Sixteenth Annual ICP Infinity Award for Art
Public Collections
Akron Art Museum, Akron, Ohio, USA
Albright-Knox, New York, USA
Australian National Gallery, Canberra, Australia
Camera Works, Inc.
Chase Manhattan Bank, New York, USA
Cincinnati Art Museum, Cincinnati, Ohio, USA
Denver Art Museum, Denver, Colorado, USA
Fisher Landau Center, Long Island City, New York, USA
George Eastman House, Rochester, New York, USA
Hallmark Photographic Collection
The Henry Art Gallery, Seattle, Washington, USA
Israel Museum, Israel
Los Angeles County Museum of Art, Los Angeles, California, USA
The Metropolitan Museum of Art, New York, USA
Museum of Modern Art, New York, USA
National Gallery of Victoria, Melbourne, Australia
U.S. Trust Company, New York, USA
Victoria and Albert Museum, London, UK
Vienna Moderner Kunst Museum, Vienna, Austria
Mr. Paul Walter, New York, USA
Mr. Thomas Walther, New York, USA and Germany
Whitney Museum of American Art, New York, USA
Middlebury College Museum of Art, Middlebury, Vermont, USA